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Beautiful designs! I have a public page on Fb, and someday I will ask you to create a new logo for my page. Keep up the good work.
It might take awhile, just have to see how to get more suscribers otherwise it ain’t worth it. Also, I am thinking about to create my own website which will provide more design work. 😉
Did you learn all of this by yourself or through school / college / university?
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This post would be a help. but it seems impossible to get them unless you guys push MIP to make them again.
it’s the basic info for Yokomo CVD bones
’94 YZ10 front CVD bone 84mm
’94 YZ10 rear CVD bone 79mm
MX4 rear CVD bone 79mm
Kysho RB5/RB6 70mm CVD bones work for 870C F/R
MX4 rear bone works with ’94 YZ10 rear. and, Works F/R
’94 YZ10 rear bone works with Works F/R. and, for 870C front wide setup
Bj4 front bone doesn’t work for Yokomo diff cups
’94 YZ10 front
from the top, MX4 Rear / ’94 YZ10 Rear / Jconcpets BJ4 front.
the length are identical to each other. but the head pins are not. I’ve tried more CVD bones from AE and Losi. and all the US brand CVD bones have bigger head pins which don’t fit Yokomo diff cups
While the length is identical, Bj4 CVD bone don’t work for Yokomo diff cups
’94 yz10 cvd bones go deep inside of the diff
MX4 bones have longer head pins. it’s fine except for 870C
870C front wide setup with ’94 YZ10 CVD
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post any music you want to share
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Concept artist and creature designer Jared Krichevsky has posted some of the character designs he created for Gods of Egypt, while working with The Aaron Sims Company. Jared is also an instructor at Gnomon School of Visual Effects teaching Introduction to ZBrush and Creature Modeling and Sculpting. Link: jaredkrichevsky.blogspot.com All images © Summit Entertainment.
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[EDIT]
I’m updating this post not to make people confused. I believed B+ was lower with 5v4g than 5y3. but 5v4g is increasing B+ and makes the bias warmer than 5y3. I guess it is the reason I feel the amps are more alive with 5v4g
then I noticed the vintage amps with the original caps from 50’s and early 60’s are more vulnerable with 5v4g to 60hz hum. I’m just guessing leakage of the coupling caps and the filter caps could be the reason. I’m still enjoying 5v4g with the amps with new components. didn’t have an issue with my 5D3 which has new filter caps either.
[EDIT again]
one of my 5V4G tubes shows very low B+. the 60hz hum came from it I believe
there are more and better info for 5vg and 5y3 rectifiers on the gearpage.net
I hook up tweed champ, deluxe, and m-track 2×2 together while jamming with youtube. 5v4g sounds still alive with this stereo and digital setup to me. but, m-track 2×2 is cheap and sharing the one single full bandwidth with usb and instrument at the same time. it sounds good while using only one of them. it sucks when the knob is at the center.
it’s the knob on m-track 2×2. don’t buy it if you want to use your guitar amps as monitor speakers while playing guitar through the direct input. maybe I’m just doing this wrong.
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5y3gt 354v
5r4 365v
5u4 373v
5v4g 384v
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only the speakers I got so far and the cab will be done in a month give or take. they are 5″ alnico speaker Fisher branded. the frame looks like Oxford and I believe they came from Oxford.
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Unhappy with the life of your smartphone battery? Thought so. Help could be on the way from one of the most common, yet poorly understood, forms of power generation: static electricity.
(Image credit: Schlueter/Getty)
“Nearly everyone has zapped their finger on a doorknob or seen child’s hair stick to a balloon. To incorporate this energy into our electronics, we must better understand the driving forces behind it,” says James Chen, PhD, assistant professor in the Department of Mechanical and Aerospace Engineering in the School of Engineering and Applied Sciences at the University at Buffalo.
Chen is a co-author of a study in the December issue of the Journal of Electrostatics that suggests the cause of this hair-raising phenomenon is tiny structural changes that occur at the surface of materials when they come into contact with each other.
The finding could ultimately help technology companies create more sustainable and longer-lasting power sources for small electronic devices.
Supported by a $400,000 National Science Foundation grant, Chen and Zayd Leseman, PhD, associate professor of mechanical and nuclear engineering at Kansas State University, are conducting research on the triboelectric effect, a phenomenon wherein one material becomes electrically charged after it contacts a different material through friction.
The triboelectric effect has been known since ancient times, but the tools for understanding and applying it have only become available recently due to the advent of nanotechnology.
“The idea our study presents directly answers this ancient mystery, and it has the potential to unify the existing theory. The numerical results are consistent with the published experimental observations,” says Chen.
The research Chen and Leseman conduct is a mix of disciplines, including contact mechanics, solid mechanics, materials science, electrical engineering and manufacturing. With computer models and physical experiments, they are engineering triboelectric nanogenerators (TENGs), which are capable of controlling and harvesting static electricity.
“The friction between your fingers and your smartphone screen. The friction between your wrist and smartwatch. Even the friction between your shoe and the ground. These are great potential sources of energy that we can to tap into,” Chen says. “Ultimately, this research can increase our economic security and help society by reducing our need for conventional sources of power.”
As part of the grant, Chen has worked with UB undergraduate students, as well as high school students at the Health Sciences Charter School in Buffalo, to promote science, technology, engineering and math (STEM) education.
Source: http://www.buffalo.edu/news/releases/2019/01/024.html
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did a simple job for a friend. he has some extra 50’s Jensen speakers and wanted to use them with this GT40 amp.
he told me GT40 has mono and stereo output mode. so, we decided to leave one of the 6.5″ speakers as it was. then put a long thread 1/4 jack on the other output.
the only place I found for the internal/external switch was the inside of the bass reflex vent on the back. the back panel itself is too thick to attach the switch.
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